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Showing posts with label Art Glass. Show all posts
Showing posts with label Art Glass. Show all posts

Saturday, January 2, 2016

Day 2 - Wunderkammer

The Owl of Minerva Takes Flight in the Dusk by Steffen Dam (Danish,b. 1961) was acquired in 2015 by the Chrysler Museum of Art in Norfolk, Virginia.

"In one of his most ambitious projects to date, Dam created a cabinet of curiosities, or Wunderkammer, and filled it with imaginary glass specimens. Then he perched a faux-owl on top, looking down over his collection. Such assemblages of natural and cultural curios became popular in the mid-1500s and, like minimuseums, were meant to delight viewers while increasing their knowledge about the world. Although Dam says that none of his fanciful forms can be found in nature, perhaps a life surrounded by the sea has summoned jellyfish-like creatures from his imagination." from Chrysler, The Members Magazine, Fall 2015

Thursday, February 20, 2014

Escape - Day 51

My escape today is performance art at the Chrysler Museum Glass Studio. I really enjoy art glass and have taken a few couses and made a few projects. But the Glass Studio takes appreciating the art of glass making to new levels with their Third Thursday performance art series. Tonight Hannah Kirkpatrick's performance of "Lights, Camera, Action" a created a giant camera obscura, 20 foot wide - 8 foot tall with hundreds of "lenses" for a dramatic live performance with music provided by members of Live Bison. In this photo we see Hannah and her team behind the "camera obscura" with glass neon lights she created. Below you see a photo of what the audience was seeing. Canon G15, 1/100 sec @ f/2.8, ISO 1600.
Canon G15, 1/8 sec @ f/2.2, ISO 1600.

These were challenging photos to capture given the almost total darkness in the studio. You can tell my Canon point and shoot was really pushed with a high ISO of 1600 and wide apertures of f/2.8 and f/2.2 and in the case of the second photo some camera blur resulting from a super slow shutter speed of 1/8th second. These were all taken using full manual control as the camera's light meter wasn't much use in the dark environment.

Wednesday, February 12, 2014

Red - Day 43 #CY365

Everything about the Chrysler Museum's Glass Studio is hot! Including the bright red lacquered galley seats. Canon G15, 1/25 sec @ f/2.8, ISO 400.

Sunday, February 9, 2014

A Little Heart - Day 40 #CY365

A Little Heart - I made this blown-glass heart today at the Chrysler Museum Glass Studio's "Hot Glass Hearts" class. Cindy and I have done a couple of other glass classes at the studio and really enjoy working with glass. The red in the picture is molten glass, the cooled and finished heart will be purple-rose and dark blue. Can't wait to see how it looks after it has cooled slowly in the kiln for about 24 hours. Canon G15, 1/100 sec @ f/4.0, ISO 800 in macro mode.

Wednesday, June 12, 2013

Garden Glass

As a fan of both art glass and the Norfolk Botanical Gardens, it's really special when the two come together. The "Refections of Nature, Glass Sculpture Exhibit" runs through August 18th at the gardens. Canon G15, 1/500 sec @ f/3.5, ISO 200.

Monday, January 21, 2013

"I never met a color I didn't like." - Dale Chihuly

We went to see the Chihuly exhibit at the Virginia Museum of Fine Arts today. It is amazing. I really appreciate his work and his policy allowing educational and non-commercial photography of his work. Please enjoy this mini-tour as captured by my camera. The pictures show the colors and some of the glory of the work but they are no substitute for seeing them in person. The descriptions are from the text presented with each display at the VMFA. I hope my photos inspire you to make the trip to Richmond to experience it in person. Better hurry through the show ends February 10, 2013.

All the photographs were taken with a Canon 5D Mark II with either a 35mm prime lens or a 100mm macro lens.

FIORI AND FLOAT BOATS - They would get in their boats and go down and collect the glass—it looked so stunning in the rowboat—that was a whole new idea for me, and it’s one that I still use today.
—Dale Chihuly


This installation includes two of Chihuly’s wooden rowboats, one filled with Fiori elements and another with Niijima Floats. The Fiori Boat features various garden glass shapes and forms inspired by Chihuly’s love of gardens and conservatories. Niijima Floats were inspired by the artist’s trip to the Japanese island of Niijima and by childhood memories of discovering Japanese fishing net floats along the beaches of Puget Sound. Chihuly first filled boats with his glass pieces in Nuutaj√§rvi, Finland, during the Chihuly Over Venice project in June 1995. Wondering if the glass would float, Chihuly began tossing works into the river and let them float downstream. Local teenagers in small, wooden rowboats gathered them up.

PERSIAN CEILING - The Persians—that’s one of the most difficult series to describe. It started off that they were geometric shapes, I think—it was a search for new forms. It was so interesting, what came out of it—we worked for a year only on doing experimental Persians—so I got to pick and choose from these parts and develop a new series. It has changed in many ways over the years.
—Dale Chihuly


Chihuly began the Persians series in 1986 while experimenting with new forms. Originally, he displayed Persians in pedestal compositions, often with smaller shapes nested in larger pieces. The first Persian Ceiling was presented in his 1992 exhibition at the Seattle Art Museum. Lit from above and resting on a flat glass pane, the elements of the Persian Ceiling come together to provide an immersive experience in color and shape. There are over a thousand Persian pieces in this installation.

MACCHIA FOREST - I think it was in 1981 that I woke up one morning and said,“I’m going to use all three hundred colors in the hotshop in as many possible variations and combinations as I can.” I started by making up a color chart with one color for the interior, another color for the exterior, and a contrasting color for the lip wrap, along with various jimmies and dusts of pigment between the gathers of glass. Throughout the blowing process, colors were added, layer upon layer. Each piece was another experiment. When we unloaded the ovens in the morning, there was the rush of seeing something I had never seen before. Like much of my work, the series inspired itself. The unbelievable combinations of color—that was the driving force. —Dale Chihuly

Chihuly chose the name for this series after asking his friend, artist Italo Scanga, for the Italian word for “spotted” or “stained.” Initially quite small, the Macchia grew in size and, like earlier works, were amassed into groupings or “families.” The Macchia here are installed together on pedestals in a group called a Macchia Forest.

This is a detail of a very small part of the piece called LAGUNA TORCELLO.

NEON TUMBLEWEED Talk about a form of light—neon is light itself. But, of course, neon couldn’t exist without glass. —Dale Chihuly

REEDS ON LOGS - In Finland we started making these long, cylindrical pieces, which looked like spears. This was an exciting new form. It was the first time we ever made anything like that. They can be taken anywhere—they can go outside. They are very strong pieces, and they are very dramatic. —Dale Chihuly

Installations of Reeds, or Spears as they were first named, began when Chihuly was working in Finland in 1995. The first time Chihuly combined Reeds and logs was for an installation at the Marlborough Gallery in New York. Since then, he has continued to create these works in various colors, installing the series both outdoors and indoors.

Wednesday, December 26, 2012

Starry Night in Glass

This is the purple swirl hand blown glass ornament my grandson Robert made this past Saturday with a lot of help from Josh and the glass artists at the Chrysler Museum Glass Studio in Norfolk Virginia.
Canon 5D Mark II, 1/40 sec @ f/8.0, ISO 800, one LED Litepanel used to illuminate from below.

Saturday, December 22, 2012

Serious Business

My grandson Robert pays close attention to instructions for making his own hand blown glass Christmas ornament at the Chrysler Museum of Art Glass Studio. When he finished, he proud;y pronounced his as the best in the class. I have to agree with him. Canon G15, 1/250 sec @ f/2.8, ISO 1600.

Wednesday, December 19, 2012

World Record Ornament?


Deborah Czeresko and the Chrysler Glass Studio team attempt to break Deborah's current world record for the largest blown-glass ornament. That's Deborah's at the left edge of the frame holding the torch. A rockin crowd of a couple a hundred art glass fans watched as the massive glass ornament grew and took shape. Canon G15, 1/160 sec @ f/2.8, ISO 1600.

Wednesday, November 21, 2012

Hot Glass


Attended the "Third Wednesday" program at the Chrysler Museum Glass Studio tonight. The theme was "Cooking With Glass" where two teams from the studio used hot glass to cook with during an Iron Chef style competition. It was great fun. Prior to the competition the team was busy making glass in a tag team fasion. Here Josh finishes up a piece of stemware that a few minutes before was just molten glass. Canon G15, 1/250 sec @ f/2.8, ISO 1600.

Sunday, October 7, 2012

Orange Swirl


The results of yesterday's introduction to glass making and the hot shop at the Chrysler Museum of Art's Glass Studio. I made this glass paperweight using a combination of opaque orange and translucent amber colored glass chips and then twisted the hot glass to create the spiral effect. Couldn't have done it with the help of our great instructor Hannah Kirkpatrick. Canon 7D, 1 sec @ f/16.0, ISO 200, 100mm macro lens, LED flash light shining down the center of the glass to illuminate from the interior.

Saturday, October 6, 2012

Sunday, August 5, 2012

Mille Colori


Mille Colori is an art glass chandelier by famed artist Dale Chihuly. It is a permanent installation at the Virginia Museum of Contemporary Art, located in Virginia Beach. Mille Colori is Italian and means "one thousand colors” and is estimated to weigh 2,200 to 2,500 pounds. This piece was originally entitled Isola di San Giacomo in Palude Chandelier and was installed on the beach of a small Venetian island involved in the 1996 Chihuly Over Venice project. The Rodriguez Pavilion at the MOCA was built specifically to house the renamed Mille Colori. Canon G11, 1/250 sec @ f4.0, ISO 800

Monday, August 1, 2011

Abstract

- We picked up a new piece of art glass by Jeff Price recently. This image is a macro photo that is slightly out of focus and yes that was intentional on my part. By illuminating with an LED Litepanel and blurring the image slightly, the patterns and colors really jump out. Canon 40D, 1/500 sec @ f/2.8, ISO 200, 100mm macro lens.

Thursday, May 26, 2011

Distortion

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This image is looking out a window through a piece of hand blown art glass. I like the way the glass distorts the colors and lines. Canon G11, 1/250 sec @ f/2.8, ISO 800.

Saturday, August 29, 2009

241 - The Fruit of the Gods

From 365 Project
This apple is part of a larger work of art entitled the The Garden of the Hesperides by J. Kenneth Leap. It is located in the lobby of the Heldrich Hotel in New Brunswick New Jersey and comprises enameled float glass and glass mosaic tessera. The hand belongs to one of the Greek nymphs tending to the fruit of the gods in the garden which was the mythical venue for the eleventh labor of Hercules. Canon 40D, 1/40sec @ f/4.0, ISO 800, 144mm focal length.